Gatefold sleeve, White Vinyl, 180 gram vinyl, OBI strip. Includes download coupon for an extended version of the album with options for 24BIT WAV, FLAC, or MP3 formats.
"Vryashn" was revisited for a vinyl-only reissue. It was initially released as a small batch of CDR's on the Gears of Sand label in 2008 and went out-of-print soon thereafter.
Mastered by Taylor Deupree.
"Two lengthy, sonorous tracks with looming, viscous currents offset by a seductive parade of pattering detail. Fluttering piano notes pierce shifting planes of texture, catspaws of white noise skip across the swell, and Echoplexed flurries float, like distant birdsong, back and forth across the threshold of audibility. Vryashn reveals a perfect balance between fluidity and architecture before disappearing into a haze of chiming bells." - The Wire
"Here be the sad sounds of drowning. This Ohio-based pair has quietly amassed an intriguing catalogue of digitally treated dronemusic and manipulated field recordings, with Vryashn being maybe the best so far, oozing with a gorgeous subaquatic melancholia. Aside from all of their sound design tricks, the piano is the central instrument on Vryashn with its notes stretched and elongated into sinewy tones. When wrapped into the slow-motion whirlpool of oceanic reverb and and cyclical drone construction, the brooding notes of the piano sound as if they are the last notes being played by some madman trapped on the ship slowly sinking into the depths of the Black Sea. Tactile bits of organic scrapes and cracklings sweep across the stereo field and dissolve into the ever deeper and blacker void of the waters below. Like Gavin Bryars' similar opus on oceanic collapse, The Sinking Of The Titanic, there is a sublime beauty to these sinking sounds. Recommended, for sure!" - aquariusrecords.org
"Jeremy Bible & Jason Henry harness an array of electro-acoustics in forging Vryashn, a work of great depth and subtle eloquence. JB&JH propose a theme of the sensation of a dream within a dream; of being surrounded by snow, becoming numb and falling asleep only to awake in the rain in another dream and location. Various phases of such an experience are depicted, from elated to disorientated. Various sound sources - piano, water line pipes, wine glasses, rain on a window, and a garage lamp - articulate Vryashn's variations; a two-part immersion zone of fragmentation and re-moulding that shuns the delicacy of a Budd bath for riskier reefs towards Andrew Liles' The Dying Submariner and Aloof Proof's Piano Text. JB&JH curate a descent into a drowned world of wrecked and wracked elegiacs, attended by envelopes of trills pushed into spills, redrawn revenants distended in a quest for new euphony. The duo's design is to pique to poke in textural caverns and inlets of accidental harmonics. They achieve this, "Vrashyn I" exemplifying the warmth and spacious movements of their reverberant Satie dissolution - a fine exhibit of well-treated piano." - alan lockett for furthernoise.org