Dan Zimmerman's latest offering, Dreams of Earth, is the kind of work that exists only by a halfcentury spent listening and crafting songs. This kind of time ingrains in a man an understanding of how stories are told, of when to cut to the chase and when to linger on a word or a breath. From the ethereal backing vocals of Elin K. Smith and Timothy Hill, to the sublime guitar work of Tony Jones and the rock-and-roll steady rhythm section, to the light but masterful production hand of Daniel C. Smith (Danielson), the music is a call to the ineffable, but it is grounded. It grooves and it moves with earthiness, dust, and sweat. Zimmerman himself is in fine voice and his own guitar turns and lilts and hammers with subtlety and swagger. All is vibrant and immediate: the space between the notes is felt as strongly as the notes themselves.
Zimmerman's songs are a danger: protest songs raised aga inst a passive dismissal of what heaven has pronounced good, against lack of engagement with the world as it exists here and now. Zimmerman is the Space Pilgrim whose feet are planted on solid ground.